Anthony Caro

摘要

The pieces of steel, rescued from the London docks, made a trapezoid, a circle and a square. In i960 Anthony Caro put them up on chairs in his garage in Hamp-stead, in north London, and found, to his increasing happiness, that when they were tacked together he had a piece of sculpture. It did not look like anything; it was not about anything. It was just itself. It was good as itself. He painted it dark brown, put it out in the courtyard and called it "Twenty-Four Hours".