THE ONLY benefit to overplaying the Beatles' greatest albums-surely a common problem in these lockdown days-is that it forces the listener back to their less celebrated material. Weary of "Rubber Soul" and "Help!" is at hand."Rubber Soul", written and recorded in two months in late 1965, is considered a watershed in the band's development. The album was the first over which the Beatles had creative control, and it is both experimental and coherent. On "Norwegian Wood", George Harrison introduced the si-tar to pop; John Lennon showed a new lyrical depth on "In My Life". Ringo Starr called it the band's "departure album". By comparison, "Help!", a poppier album completed a few months earlier, might seem to represent what they were departing from.
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机译：唯一一个唯一的好处，才能超越最大的专辑 - 肯定是这些锁定天中的常见问题 - 它将听众迫使听众恢复到他们的庆祝材料不那么庆典。厌倦了“橡胶灵魂”和“帮助！”在手头。“橡胶灵魂”，在1965年底为两个月写下并记录，被认为是乐队发展中的流域。这张专辑是第一个披头士乐队有创造性控制的第一张，并且它既是实验和相干的。在“挪威木头”上，乔治哈里森介绍了Si-Tar的流行; John Lennon在“我的生命中”表现出一种新的抒情深度。 Ringo Starr称为乐队的“出发专辑”。相比之下，“帮助！”，一个普及的专辑早期完成了几个月，可能似乎代表了他们离开的东西。
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