HE DIED MORE than 30 years ago, but Andy Warhol has never seemed more relevant. That is the persuasive case made by a new retrospective of his work at the Whitney Museum of American Art. When the line between celebrity and genuine achievement has been nearly obliterated, when hosting a reality television show can serve as the launching pad for political office, and when status is measured in clicks, likes and followers, Warhol-a pale, oracular ghost-looms as a spiritual father of this media-saturated age.
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