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Prophecies and revelations

机译:预言和启示

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IN ONE OF Russian literature's most memorable passages, Pimen, an elderly chronicler in "Boris Godunov", passes the task of recording history to a young monk: Write down, avoiding crafty sophistries, All things that you shall witness in this life: Both war and peace, the edicts of our Tsars, The holy miracles of saintly men, All prophecies and blessed revelations... Pushkin wrote his drama about the "Time of Troubles" of the early 16th century in 1825, itself a turbulent moment in Russia. The succession of Nicholas I in that year was followed by the Decembrist uprising and then an age of repression. Every country experiences such pivots-at which epochs seem to begin and end, the current age retreats into history and the future seems to make itself present. In Russia as elsewhere, artists have often sensed such shifts before they are visible to the naked eye.
机译:皮门(Pimen)是《鲍里斯·戈杜诺夫》(Boris Godunov)的一位老年编年史家,在俄国文学中最令人难忘的一段话中,将记录历史的任务交给了一位年轻的和尚:写下来,避免狡猾的诡辩,您将在这一生中目睹的一切:战争与和平,沙皇的圣旨,圣人的圣迹,所有的预言和祝福的启示……普希金在1825年写了一部关于16世纪初期“动荡时期”的戏剧,本身就是动荡不安的在俄罗斯的时刻。当年尼古拉斯一世的继任者是Decembrist起义,然后是镇压时代。每个国家都经历着这样的枢纽-时代似乎开始和结束,当前时代退回到历史,而未来似乎使自己呈现。在俄罗斯和其他地方一样,艺术家通常在肉眼看不见它们之前就已经感觉到了这种变化。

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    《The economist》 |2019年第9125期|66-67|共2页
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  • 入库时间 2022-08-18 04:12:29

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