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Creating inspiration: The role of the arts in creating empathy for ecological restoration

机译:创造灵感:艺术在创造同情生态恢复中的作用

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摘要

Australia's natural areas have long been a source of inspiration for artists. Some of this art is a response to the natural environment or represents it in some way, and some is exhibited or performed in the natural environment itself. The objectives of this article are to: investigate the relationship between art and the artists who create it and people who make a living in extension, landcare or on the land; and, develop an understanding of whether the arts can encourage an emotional affinity with the natural environment. Eighty-nine key informant interviews were conducted in Australia, the UK, USA, Canada and Norway, including people-working in the arts and people working in natural resources management. Those in the latter group were people who either (ⅰ) worked in an extension (outreach) or community facilitation capacity, or (ⅱ) people who played a voluntary role with community on-ground restoration projects or who showed exemplary behaviour towards the environment. All the people working in natural resources management cited examples of visual or performing arts that they had found inspiring, that encapsulated or defined their attitudes towards the natural environment, or which reinforced their attitudes towards the natural environment. From these interviews, the idea of 'chains of inspiration' emerged. Each of the 'chains' began with people who worked directly on the environment. These people were in turn influenced or inspired by particular art from which they gained an emotional affinity towards the environment. The chains then progressed to the artists who created the art. All of the chains ended up with the natural environment from which the artists drew their inspiration. The paper concludes that by providing an emotional affinity or empathy for the natural environment, art can have a major role in influencing pro-environmental attitudes.
机译:长期以来,澳大利亚的自然地区一直是艺术家的灵感来源。该技术中的某些是对自然环境的响应或以某种方式表示它,而某些则是在自然环境本身中展示或执行的。本文的目的是:研究艺术与创造艺术的艺术家以及在延伸,土地保护或陆地上谋生的人们之间的关系;并且了解艺术是否可以促进与自然环境的情感亲和力。在澳大利亚,英国,美国,加拿大和挪威进行了89次重要的线人访谈,其中包括从事艺术工作的人员和从事自然资源管理的人员。后一组的人是(ⅰ)在扩展(外展)或社区促进能力中工作,或(ⅱ)在社区地面修复项目中发挥自愿作用或对环境表现出模范行为的人。所有从事自然资源管理工作的人都列举了一些鼓舞人心的视觉或表演艺术的例子,这些例子封装或定义了他们对自然环境的态度,或者强化了他们对自然环境的态度。从这些访谈中,出现了“灵感链”的想法。每个“链条”都始于直接从事环境工作的人员。这些人继而受到特定艺术的影响或启发,从中他们获得了对环境的情感亲和力。锁链然后发展到创造艺术的艺术家。所有的连锁店最终都来自艺术家汲取灵感的自然环境。本文的结论是,通过对自然环境提供情感亲和力或同情心,艺术可以在影响亲环境态度方面发挥主要作用。

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  • 来源
    《Ecological management & restoration》 |2009年第3期|174-184|共11页
  • 作者

    David J. Curtis;

  • 作者单位

    Institute of Rural Futures at the University of New England Armidale, NSW 2351, Australia;

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  • 正文语种 eng
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