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'Crank legislators', 'faddists' and professionals' defence of animal performance in 1920s Britain

机译:英国1920年代“曲柄立法者”,“轻骑兵”和专业人士为动物表演辩护

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A British parliamentary bill to prohibit animal performances in the circus and fairground and on the stage was introduced in 1921. This article discusses the nature of the response of the circus, fairground and music-hall professions to the resulting threat posed to the livelihoods of some of their members, noting their opinion of the characteristics and motives of the opposition. Leading parts were played by circus proprietors as well as by the Showmen's Guild of Great Britain and the Variety Artistes' Federation, but the energetic campaigning efforts of individuals within these last two organizations had to overcome lethargy in their general memberships. However, with the support of representatives in Parliament and full coverage of the professions' side of the issue in their journals, this response ultimately achieved a weakening of successive bills, leading to the Performing Animals (Regulation) Act of 1925, based on licensing rather than prohibition.
机译:1921年,英国颁布了一项禁止在马戏团和露天市场以及舞台上表演动物的议会法案。本文讨论了马戏团,露天市场和音乐厅专业人员对某些生计所造成的威胁做出反应的性质。他们的成员,注意到他们对反对派的特点和动机的看法。马戏团的所有人,大不列颠的演艺人员协会和综艺人联合会都扮演着领导角色,但是在后两个组织中,个人的积极运动必须克服其一般会员的嗜睡。但是,在议会代表的支持和期刊中对该专业领域的全面报道之后,这种回应最终削弱了连续法案,从而导致了1925年《表演动物(管理)法》,该法案基于许可比禁止。

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