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Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission

机译:未丢弃的图像:17世纪和18世纪书籍中的古董乐器插图,其来源和传播方式

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摘要

Illustrations of ancient musical instruments appear in encyclopaedias, histories and general books on music from the 17th century onwards. This article examines the origins of some of these images, a number of which may be traced back to the early 17th century and to the so-called ‘Paper Museum’ of Cassiano dal Pozzo. The author also suggests that while later writers may deal critically with the text content of their sources, the illustrations have not been subject to the same level of scrutiny. Reproductions of images appear, often without acknowledgement, over a wide geographical area and considerable chronological span, disseminating visual information that becomes increasingly inaccurate. The lack of concern with illustrative detail sounds a warning about the use information gleaned from pictorial evidence, contained within often authoritative books, and the necessity to examine their sources.
机译:古代乐器的插图出现在从17世纪开始的百科全书,历史和有关音乐的普通书籍中。本文研究了其中一些图像的起源,其中许多图像可以追溯到17世纪初,也可以追溯到卡夏诺·达·波佐的所谓“纸博物馆”。作者还建议,尽管后来的作者可能会严格地处理其来源的文本内容,但插图并未受到相同程度的审查。图像的复制往往未经确认就出现在广阔的地理区域和可观的时间范围内,从而传播越来越不准确的视觉信息。缺乏对说明性细节的关注,听起来似乎是警告,这些警告是从经常存在于权威书籍中的图像证据中收集的使用信息,以及检查其来源的必要性。

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  • 来源
    《Early Music》 |2007年第2期|191-212|共22页
  • 作者

    Naomi J. Barker;

  • 作者单位

    Naomi Joy Barker is an independent scholar teacher and performer based in Newcastle-upon-Tyne. She works mainly on 17th-century music and its contexts. barkernj{at}tiscali.co.uk;

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  • 正文语种 eng
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