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首页> 外文期刊>Early Music >‘Quasi una taciturnità’: the silence and salience of dissonance according to 16th-century theorists
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‘Quasi una taciturnità’: the silence and salience of dissonance according to 16th-century theorists

机译:“ Quasi unataciturnità”:16世纪理论家所说的不和谐的沉默和显着性

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  • 来源
    《Early Music》 |2010年第2期|p.237-248|共12页
  • 作者

    Simon Van Damme;

  • 作者单位

    Simon Van Damme is a postdoctoral fellow at the department of Musicology of the University of Leuven (Belgium) and a staff member of the Alamire Foundation. In 2009 he completed his PhD on the ricercars of Adrian Willaert, after having worked as a fellow of the Research Foundation–Flanders for four years. His research interests include Renaissance music theory and analysis of 16th-century polyphony. simon.vandamme{at}arts.kuleuven.be;

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