‘si chiama fagotto’: Concerning a drawing of musical instruments by Giovanni Ricamatori, otherwise known as Giovanni da Udine

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• 来源
  《Early Music》 |2011年第2期|p.217-228|共12页
• 作者

  Martin Kirnbauer;

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  Martin Kirnbauer trained first as a musical-instrument-maker and worked as a conservator for historical musical instruments at the Germanisches Nationalmuseum in Nuremberg. Studying musicology at the universities in Erlangen and Basel, he obtained his PhD in 1998 with a dissertation on a late medieval songbook (Hartmann Schedel und sein ‘Liederbuch’. Studien zu einer spätmittelalterlichen Musikhandschrift (Bayerische Staatsbibliothek München, Cgm 810) und ihrem Kontext) and his Habilitation in 2007 (‘Vieltönige Musik—Spielarten chromatischer und enharmonischer Musik in Rom in der ersten Hälfte des 17. Jahrhunderts’). Since 2004 he has been Director of the Music Museum of the Historical Museum Basel and curator of its collection of musical instruments, as well as Privatdozent in musicology at the University of Basel. He has published numerous articles concerning early music, performan;

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• 入库时间 2022-08-18 01:14:39