EXHIBITION DESIGN IN THE PALESTRA GRANDE IN THE POMPEII ARCHAEOLOGICAL SITE

摘要

After creating a pyramid in the Pompeii Amphitheatre, Francesco Venezia returns to the same archaeological site with a new intervention. Compositional skill and virtuoso craftsmanship mark the insertion of this new exhibition space in the north wing of the Palestra Grande portico: it is a true machine for exhibiting, creating a subtle interplay of memories and analogies between ancient and modern, between archaeology and museology.