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From the archive: DIY shelter

机译:来自档案馆:DIY庇护所

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摘要

Jean Prouvé's debut in Domus magazine, subtitled by Ernesto Nathan Rogers the "House of Man", dates from 1946 {Domus 210, June 1946). The house proposed by the "finest metalsmith" - and whose talents Le Corbusier had sought out in the same period for the interiors of the cells in his Unite d'Habitation in Marseille - was one for every man.Italy had just come through the war and was drawn to the research into prefabricated houses that Prouvé had centred around the definition of its metal structure. Intrigued by lightness, he dismantled the formal rhetoric of architecture and prioritised the versatility of technology as a means to satisfy its social vocation from a standpoint that was both pragmatic and optimal. Reducing architecture to assembly (which his student Renzo Piano later defined as the "piece by piece" approach) may have seemed to be limiting it to the sphere of carpentry but the drive behind his self-effacing and unpretentious research stemmed rather from the tradition of the French Enlightenment, so memorably expressed in Claude-Nicolas Ledoux's celebrated image of Labri dupauvre.
机译:吉恩·普罗韦(JeanProuvé)在多莫斯(Domus)杂志的处女作,以埃内斯托·内森·罗杰斯(Ernesto Nathan Rogers)冠名“人的房子”,始于1946年(多姆斯210,1946年6月)。由“最出色的铁匠”提出的那栋房子-勒·柯布西耶(Le Corbusier)的才华在同一时期曾为他在马赛的团结工房寻找室内装饰–是每个人的房子。意大利刚刚经历了战争并被吸引到Prouvé围绕其金属结构定义的预制房屋的研究中。出于对轻巧的兴趣,他取消了建筑的正式措辞,并从实用性和最佳性的角度出发,优先考虑将技术的多功能性作为满足其社会使命的一种手段。将建筑缩减为装配体(他的学生Renzo Piano后来将其定义为“逐件”方法)似乎将其限制在木工领域,但他自我修饰和朴实无华的研究背后的动力源于传统法国的启蒙运动,在克劳德·尼古拉斯·勒杜(Claude-Nicolas Ledoux)著名的Labri dupauvre形象中得到了深刻的体现。

著录项

  • 来源
    《Domus》 |2020年第5期|70-72|共3页
  • 作者

    Fulvio Irace;

  • 作者单位

    Milan Polytechnic;

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  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-18 05:27:53

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