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Development plans for the coastal area of Lagos are jeopardising the local cultural, social and ecological setup

机译:拉各斯沿海地区的发展计划正在危及当地的文化,社会和生态环境

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摘要

In 1975, the Nigerian Afrobeat activist-musician Fela Anikulapo Kuti released the song titled Water No Get Enemy, which literally means "water has no enemy". The song speaks about the character of water and its indifference to every human situation. The lyrics of the song couldn't have been truer for anywhere else but Lagos - a city that has had a love-hate relationship with its waters for over a century. From the then flourishing transatlantic slave trade to the 1851 British bombardments and eventual annexation of the city, Lagos has always been defined by its waters. Over the years Lagos has turned its waters to profit, but it has also often been on the receiving end of their wild rage.
机译:1975年,尼日利亚的非洲运动人士,音乐家费拉·阿尼库拉波·库蒂(Fela Anikulapo Kuti)发行了名为“无敌水”的歌曲,这字面意思是“水没有敌人”。这首歌讲述了水的特性及其对每种人类状况的冷漠。除了拉各斯以外,这首歌的歌词在其他任何地方都没有比这更真实的了。拉各斯是一个与其水域有着爱恨交加的城市,已有一个多世纪的历史了。从蓬勃发展的跨大西洋奴隶贸易到1851年英国的轰炸以及最终吞并这座城市,拉各斯一直被其水域所界定。多年以来,拉各斯已将自己的事业变成了赢利,但它也经常处于狂暴的接受端。

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  • 来源
    《Domus》 |2019年第3期|291-293|共3页
  • 作者

    Mcithias Agbo; Jareh Das;

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