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In Conversation with the Ancestors: Indigenizing Archaeological Narratives at Acadia National Park, Maine

机译:在与祖先谈话中:缅因州阿卡迪亚国家公园的临时考古叙事

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In North America, Indigenous pasts are publicly understood through narratives constructed by archaeologists who bring Western ideologies to bear on their inquiries. The resulting Eurocentric presentations of Indigenous pasts shape public perceptions of Indigenous peoples and influence Indigenous perceptions of self and of archaeology. In this paper we confront Eurocentric narratives of Indigenous pasts, specifically Wabanaki pasts, by centering an archaeological story on relationality between contemporary and past Indigenous peoples. We focus on legacy archaeological collections and eroding heritage sites in Acadia National Park, Maine. We present the “Red Paint People” myth as an example of how Indigenous pasts become distorted through archaeological narratives influenced by Western ideologies and offer a framework for indigenizing archaeological narratives constructed previously through Western lenses, using Indigenous language and community engagement to carry out the study.
机译:在北美,土着过去通过考古学家建造的叙述公开地理解,他们将西方意识形态带入询问。 由此产生的欧洲信心介绍土着过去的过去的公众对土着人民的看法,并影响对自我和考古的土着看法。 在本文中,我们通过以当代和过去的土着人民之间的关系为中心的考古故事,对土着过去,特别是Wabanaki过去的欧洲社区叙事。 我们专注于纵向遗留考古学收藏和缅因州国家公园的遗产遗址。 我们展示了“红色油漆人”神话作为土着过去如何通过受西方意识形态影响的考古叙述扭曲的例子,并利用土着语言和社区参与来开展研究,为以前通过西方镜头建造的考古学叙述提供框架。 。

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