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Beauty is in the blind spot of the beholder

机译:美是旁观者的盲目点

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The paper addresses the time-old question of what is beauty. A rather ambitious, if not to say presumptuous, endeavour. But I do not aim high – I do not claim to get anywhere near unearthing the secret. Rather, I will use examples from mathematics, poetry, music and chess to substantiate one thesis: that the elusory character of beauty is not incidental. Its defiance of definition is part of its essence. The aesthetic sensation requires unawareness of its precise origin. Beauty is felt when some order is perceived, that is not fully comprehended. The order is too complex, or well hidden, or too novel, to surface in its entirety. This is the reason for our ability to enjoy a piece of art for the hundredth time – we never fully fathom its inner order. This is also the reason for the feeling of awe that the beauty inspires: mystery and magic are at its heart. I will compare mathematical techniques and features with those of poetry - like compression, summoning patterns from one field to solve problems in another, or self-reference, and show how beauty is generated in the two domains in a similar way. I will also comment on the beauty-generating effect of unexpectedness in both domains. That novelty generates beauty is a trite observation (“the most expected feature of a poem is its unexpectedness”, as somebody put it), but the question why this is so is not often addressed – I will connect it with the “blind spot” idea. In a final section I try to answer the question that is at least as difficult as “what is beauty” – “why beauty?”. The fact that it pervades our lives indicates that it has an important role – what is it? To arouse the reader’s curiosity, let me summarize the attempted answer in one word – ‘change’. That aim that is so coveted and so hard to achieve – a change in the pattern of our actions, aims and perceptions. The style of the paper is non-scientific, and non-erudite, reflecting my belief that scientific pretensions in the humanities deflect from “softer”, more genuine, understanding.
机译:本文涉及什么是美丽的古老问题。一个相当雄心勃勃的,如果不是说冒昧,努力。但我的目标是高 - 我不声称在秘密附近的任何地方。相反,我将使用数学,诗歌,音乐和国际象棋来证实一篇论文:美容的幸福特征不是偶然的。它的定义蔑视是其本质的一部分。审美感觉需要对其精确起源不明确。当感知某些订单时,感觉到美容,这是完全理解的。顺序过于复杂,或良好的隐藏,或者太新颖,整体到表面。这是我们百分之次享受一件艺术的能力的原因 - 我们从未完全过度地秩序。这也是美容激励的敬畏感的原因:神秘和魔法是心灵。我将与诗歌的数学技术和特征进行比较,类似诗歌 - 类似的压缩,从一个领域召唤模式来解决另一个领域的问题,或者自我参考,并展示如何以类似的方式在两个域中产生美。我还将评论两个域中意外的美食效果。那种新奇产生美女是一个陈觉的观察(“一首诗的最预期的特征是它的意外”,就像有人把它所说),但是这个问题为什么这是如此不经常解决 - 我将把它与“盲点”连接主意。在最后一节中,我试图回答至少与“美丽” - “为什么美的”什么是美丽的问题?“。它遍及我们的生活表明它具有重要作用 - 它是什么?为了引起读者的好奇心,让我总结一个单词的尝试答案 - '改变'。这是如此令人垂涎的目标,难以实现 - 我们行动模式的变化,目标和看法。论文的风格是非科学,非博学,反映了我的信念,即人文科学的科学自负从“更柔软”,更真实,理解。

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