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Mechanisms of Cultural Evolution in the Songs of Wild Bird Populations

机译:野生鸟类歌曲中文化演化的机制

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Young songbirds draw the source material for their learned songs from parents, peers, and unrelated adults, as well as from innovation. These learned songs are used for intraspecific communication, and have well-documented roles for such functions as territory maintenance and mate attraction. The songs of wild populations differ, forming local “dialects” that may shift over time, suggesting that cultural evolution is at work. Recent work has focused on the mechanisms responsible for the cultural evolution of bird songs within a population, including drift, learning biases (such as conformity and rare-form copying), and selection (including sexual selection). In many songs or song repertoires, variability is partitioned, with some songs or song segments being stable and consistent, while others vary within the population and across time, and still others undergo population-wide transitions over time. This review explores the different mechanisms that shape the cultural evolution of songs in wild populations, with specific reference to a long-term investigation of a single population of philopatric Savannah sparrows. Males learn a single four-segment song during their 1st year and sing the same song thereafter. Within this song, the buzz segment is a population marker, and may be stable for decades – variant forms occur but eventually disappear. In contrast, the middle segment is highly variable both within the population and over time; changes in relative prevalence of different forms may be due to cultural drift or a rare-form learning bias. Within the introductory segment, a high note cluster was replaced by a click train between 1982 and 2010, following an S-shaped trajectory characteristic of both selective sweeps in population genetics and the replacement of one form by another in human language. In the case of the Savannah sparrows, this replacement may have been due to sexual selection. In subsequent generations, the number of clicks within trains increased, a form of cultural directional selection. In contrast to the narrowing of a trait's range during directional selection in genetic systems, variation in the number of clicks in a train increased as the mean value shifted because improvisation during song learning allowed the range of the trait to expand. Thus, in the single short song of the Savannah sparrow, at least four different mechanisms appear to contribute to three different types of cultural evolutionary outcomes. In the future, it will be import to explore the conditions that favor the application of specific (and perhaps conditional) learning rules, and studies such as the ongoing song seeding experiment in the Kent Island Savannah sparrow population will help in understanding the mechanisms that promote or repress changes in a population's song.
机译:年轻的Songbirds从父母,同行和无关的成年人以及创新中汲取他们学习歌曲的源材料。这些学习的歌曲用于惯性通信,并为该职能提供良好的作用,作为地区维护和伴侣吸引力。野生种群的歌曲不同,形成可能随着时间推移的本地“方言”,表明文化进化正在上班。最近的工作侧重于负责人口中鸟类歌曲文化演变的机制,包括漂移,学习偏见(如符合性和稀有形式复制),以及选择(包括性选择)。在许多歌曲或歌曲曲目中,可变异性被分割,一些歌曲或歌曲段是稳定和一致的,而其他歌曲在人口和时间内各不相同,而其他人则随着时间的变化,仍然其他人随着时间的变化。该综述探讨了塑造野生歌曲中歌曲文化演变的不同机制,具体提到了对单一哲学犹大麻雀的长期调查。男性在第一个第1年期间学习一个四段歌曲,然后唱一首同一个歌。在这首歌中,Buzz段是一个人口标记,并且可能是几十年的稳定性 - 变异形式发生但最终消失。相比之下,中间段在人口内和随着时间的推移中都有高度变化;不同形式的相对普遍性的变化可能是由于文化漂移或稀有形式的学习偏差导致。在介绍性段内,在1982年至2010年之间的咔哒声串之后,在群体遗传学中的S形轨迹特征和以人类语言中另一种形式替换一种形式的选择性扫描的S形轨迹特征之后,高音簇被一份高音符簇取代。在大草原麻雀的情况下,这种更换可能是由于性选择。在随后的几代中,列车内的点击次数增加,一种文化方向选择的形式。与遗传系统中的定向选择期间特征的范围缩小相反,列车中点击次数的变化随着歌曲学习期间的即兴而增加了易于扩建的易于扩展的范围。因此,在萨凡纳麻雀的单曲短歌中,至少有四种不同的机制似乎有助于三种不同类型的文化进化结果。将来,将进口探讨有利于特定(和可能的条件)学习规则的施工的条件,以及肯特岛大草原雀跃人口中正在进行的歌曲种子实验等研究将有助于理解促进的机制或压制人口歌曲的变化。

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