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首页> 外文期刊>Frontiers in Psychology >The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles
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The Question of Lag: An Exploration of the Relationship Between Conductor Gesture and Sonic Response in Instrumental Ensembles

机译:LAG问题:探索仪器集体中的指挥手势与声学响应的关系

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Group musical performance, especially large instrumental ensembles, present the outward appearance of an asymmetric, temporally immediate stimulus-response relationship between conductor and ensemble. Interestingly, anecdotal reports from both conductors and performers indicate a degree of variability in the timing of orchestral response to the conductor’s gestures. This observation is not present in anecdotal accounts of other instrumental ensemble settings, like wind bands, but commonplace occurrence among orchestral musicians indicates the potential presence of greater complexity in the observed relationship. This study investigates both the quality and quantity of temporal lag between conductor and ensemble in two common instrumental ensemble configurations – wind bands and orchestras – in an effort to describe the interplay present within conducted group performance. The findings indicate that the anecdotally identified lag is present within all ensemble types, and that it presents a flexible, dynamic temporal relationship between conductor and ensemble. Additionally, both the quantity and quality of lag values are significantly different between ensemble types, experience levels, and musical content. Several avenues for future research are identified, and confounds within the sampled ensembles are examined for their potential roles in the observed relationships.
机译:小组音乐表现,尤其是大乐器集合,呈现不对称的外观,在导体和集合之间的不对称,时间立即刺激响应关系。有趣的是,来自指挥者和表演者的轶事报告表明了对指挥手势的管弦乐响应时机的一定程度的变化。这种观察结果在其他工具集合设置的轶事账户中不存在,如风乐队,但管弦乐家中的常见情况表明在观察到的关系中潜在存在更大的复杂性。本研究调查了两种常见的仪器集合配置 - 风乐队和管弦乐队中导体和集合之间的时间滞后的质量和数量 - 努力描述所进行的组性能中存在的相互作用。结果表明,缺点鉴定的滞后存在于所有集合类型中,并且它呈现导体和集合之间的灵活,动态的时间关系。此外,滞后值的数量和质量都在集合类型,体验水平和音乐内容之间显着差异。确定未来研究的几个途径,并在观察到的关系中检查了采样的合奏中的混淆。

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