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Those Backward Hordes: Representing the Indian Peasant as a ‘Rebel’ in Early Indian Fiction in English

机译:那些落后的部落:在英语早期印度小说中代表印度农民作为“反叛者”

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One of the earliest Indian works of book-length fiction in prose to have unequivocally earned the title of a ‘novel’ in posterity, Reverend Lal Behari Dey's Bengal Peasant Life (1878; titled Govinda Samanta , or The History of a Bengali Ráiyat in its first edition, published in 1874) exists in the annals of literary history and criticism mostly as a part of lists enumerating the ‘early novels’. It has been ranked novel amongst what Meenakshi Mukherjee terms the nineteenth century Bengali literature of ‘protest’, alongside texts such as Dinabandhu Mitra's Neel Darpan , Mir Musarraf Hussain's Jamidar Darpan and Dakshina Charan Chattopadhyay's Chakar Darpan . This essay seeks to consider Reverend Lal Behari Dey's quest to write an ‘authentic history’ of the Bengali peasant in the light of the fact that the humble Bengali peasant and his native rural Bengal would steadily become a staple of discussion in the nineteenth century, featuring prominently in economic and historical narratives, in the pages of newspapers, periodicals and novels, almost always in terms of his ‘backwardness’ or his status as a foil to the urbanized bhadralok . The first section of the essay addresses the claim to authenticity in terms of the predominance of visual descriptions in the narrative technique, in keeping with the novel’s realist mode of representation. Following that, the essay argues that the claim to authenticity, furthermore, lies in a narrative construction of rural Bengal as a changeless idyll, untouched by the experience of colonial modernity. The essay then considers the material constitution of the backwardness of the Bengali peasant, in the context of transformations in rural land ownership and rent structures following the Permanent Settlement. The fourth and final section of the essay addresses the question of a rebellious peasantry, and the narrative foreclosure of the possibility of an agrarian unrest that might lead to lasting social change.??????
机译:散文中最早的印度印度作品中的最早的印度作品,以毫不含糊地赢得了后代的“小说”的标题,牧师·巴勒迪的孟加拉农生命(1878年);标题为Govinda Samanta,或孟加拉州的历史1874年出版的第一版)存在于文学史和批评的历史中,主要是列出“早期小说”列表的一部分。它在Meenakshi Mukherjee术语中被排名第十九世纪孟加拉·孟加拉文学的“抗议”文本,如Dinabandhu Mitra的Neel Darpan,Mir Musarraf Hussain的Jamidar Darpan和Dakshina Charan Chattopadhyay的Chakar Darpan。这篇文章旨在考虑牧师克莱伊迪的追求孟加拉农民的“真实历史”,鉴于谦卑孟加拉农民和他的本土农村孟加拉稳步成为十九世纪的讨论主食突出的经济和历史叙事,在报纸,期刊和小说中,几乎总是在他的“落后”或他作为城市化的Bhadralok的身份。论文的第一部分就叙事技术中的视觉描述的主要介绍来解决了真实性,以便与小说的现实代表模式保持一致。在此之后,本文认为,这种对真实性的声称在于农村孟加拉的叙事建设,作为一个不变的田园诗,因殖民现代性的经验而不受影响。然后,本文认为,在农村土地所有权的转型和租赁结构之后,孟加拉农民的落后的物质宪法。本文的第四个和最后一部分涉及叛逆的农民的问题,以及可能导致持久社会变革的农业骚乱可能性的叙述抵押品赎回权。??????

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