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Adolescent Minorities in Popular YA Literature: A Content Analysis

机译:青少年少数民族流行的YA文学:内容分析

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Young adults are typically one of the most difficult target audiences for public libraries. There is a myriad of reading programs for children and adults, but teens can often be a difficult group to engage. Why is this? When reading fiction, most people like to read about a character they can relate to (Miller, 2013). Representation is important ‐ if a young reader cannot relate to the main character, they are likely not to care about what happens to them. Translation: if a reader cannot see themselves in the story, they may abandon it. When this happens repeatedly, the reader’s interest in reading may decrease. Michael Cart (2016), author and the former president of the Young Adult Library Services Association, explains that the value of young adult literature is found in how it addresses the needs of the reader and many young adult readers are in search of self ‐ growing, changing, and morphing from the condition of childhood to adulthood. He continues, “By addressing these needs, young adult literature is made valuable not only by its artistry, but also by its relevance to the lives of its readers” (Cart, 2016). If educators, librarians, and parents want to encourage teens to read, then they need to make sure that those young minds have a diverse collection of material from which to choose. Even if the community itself is not diverse, the world is and teens need access to materials that reflect an accurate portrait of global society (Diaz, 2013).
机译:年轻的成年人通常是公共图书馆最困难的目标受众之一。有无数的儿童和成年人阅读课程,但青少年往往是一个艰难的群体。为什么是这样?在阅读小说时,大多数人喜欢阅读他们可以与之相关的角色(Miller,2013)。代表很重要 - 如果一个年轻的读者与主角相关联,他们可能不会关心它们发生的事情。翻译:如果读者无法在故事中看到自己,他们可能会放弃它。当反复发生这种情况时,读者对阅读的兴趣可能会降低。迈克尔购物车(2016年),作者和前任成人图书馆服务协会的前总统解释说,年轻成人文学的价值是如何解决读者的需求,许多年轻成年读者正在寻找自我生长从童年到成年期的情况来看,改变和变形。他仍在继续,“通过解决这些需求,年轻的成人文学不仅由其艺术性而有价值,而且还通过其与读者的生活的相关性”(推车,2016)。如果教育工作者,图书馆员和父母想要鼓励青少年阅读,那么他们需要确保那些年轻的思想有多样化的材料收集。即使社区本身并非多样化,世界也需要获得反映全球社会准确肖像的材料(Diz,2013)。

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    《SLIS Connecting》 |2019年第2期|共9页
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    Morgan Lee;

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