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Study on the Oil Painting Language Study of the Image of Lotus in Ancient Poems

机译:古诗中莲花绘画语言研究的研究

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Take the image of lotus in ancient poems as the carrier, and analyze the cultural implication of lotus imagery. Through the internal connection between lotus visual text and image language, the metaphorical image of lotus in ancient poetry and the image interpretation of lotus in oil painting language are used as the starting point to describe the artistic conception in literary works in an image way. There are four parts to study the image of lotus in ancient poems. Observing the state of things and experienc ing the feelings of things; using the spirit of lotus and lotus to express the spirit of poetry, finding the aesthetic conception of poetry, co-constructing the strategy of image and text isomorphism, and fitting the personalized oil painting creation language with both pictures and text, it can help readers to build a new aesthetic perception and poetic comprehension to realize the cross-cultural resonance of poetry and painting imagery.
机译:将莲花的形象作为承运人拍摄古诗,并分析莲花图像的文化意蕴。通过莲花视觉文本和图像语言之间的内部联系,古代诗歌中莲花的隐喻形象和莲花绘画语言的图像解释被用作描述文学中的艺术观念的起点。在古代诗歌中研究莲花的形象有四个部分。观察事物的状态和体验事物的感受;利用莲花和莲花的精神来表达诗歌的精神,寻找诗歌的审美观念,共同构建形象和文本同构策略,并拟合了与读者和文字的个性化油画创作语言,它可以帮助读者建立新的审美感知和诗意理解,实现诗歌和绘画图像的跨文化共鸣。

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