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Brief Analysis of Qiang Nationality’s Silver Art

机译:泛民族银艺术浅析

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The silver ornament of the Qiang nationality is an important part of Chinese traditional craft culture, like a magnificent pearl, containing rich ethnic minority characteristic culture and symbolic symbols. It has been passed down to this day with superb skills, exquisite engraving craftsmanship and decorative techniques with extremely national characteristics. In terms of shape, it is simple and resplendent, beautiful and generous, simple and elegant, wild and unrestrained; In terms of decoration techniques, it is unique and colorful, most of which are decorated with filigree inlaid gemstones and engraved decorations. The colors are bright and eye-catching, which are very brilliant; In terms of technique, it is rich in layers, strong in folk interest, bold in design, quirky in imagery, and extremely modern, just like a bright pearl in the history of traditional silverware craftsmanship. This thesis will analyze the artistic aesthetics and artistic characteristics of Qiang silver ornament through the development origin, modeling characteristics, cultural connotation and decorative aesthetics, so as to look forward to exploring a new theoretical basis for modern research on Qiang silver ornament art.
机译:强羌族的银色装饰是中国传统工艺文化的重要组成部分,如宏伟的珍珠,含有丰富的少数民族特征文化和象征符号。它已经通过精湛的技能,精湛的雕刻工艺和具有极大的国家特色的装饰技巧。在形状方面,简单而灿烂,美观,慷慨,简洁,优雅,野性和无限制;在装饰技术方面,它是独特且丰富多彩的,其中大部分装饰着镶嵌镶嵌宝石和雕刻装饰品。颜色明亮而引人注目,非常辉煌;在技​​巧方面,它的层数丰富,民间兴趣强大,设计,古怪的意象,而且非常现代,就像传统银器工艺历史上的明亮珍珠一样。本文将通过开发起源,建模特征,文化内涵和装饰美学分析强银装饰的艺术美学和艺术特征,以期望探讨羌银装饰艺术现代研究的新理论依据。

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