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Possibilities of Digital Piracy Management in Music Records Industry

机译:音乐唱片行业中数字盗版管理的可能性

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Digital piracy, particularly for its execution-friendly technological environment, is a relevant problem in many countries. Over the past two decades due to the rapid expansion of the Internet and content products (music, movies, books and software) digital distribution, the number of users copying and distributing these products without the legal consent of their authors is increasing - a phenomenon known as digital piracy. Music industry has the largest scale of digital piracy over the all-creative content business, related to very convenient reproduction and distribution of illegal music records. The main purpose of the paper is to determine how music authors evaluate possibilities of digital piracy management in the digital space. Survey with recorded digital music customers and interview with recorded digital music authors are provided to achieve the goal. Based on the results the idea of the management of digital piracy in the music records industry, which is oriented for maximizing commercial benefits of the introduction of the music records to consumers for the authors of the music records, was analyzed.
机译:数字盗版,特别是对于其易于执行的技术环境而言,在许多国家都是一个相关问题。在过去的二十年中,由于Internet和内容产品(音乐,电影,书籍和软件)数字分发的迅速发展,未经作者许可而复制和分发这些产品的用户数量正在增加-这种现象是众所周知的作为数字盗版。音乐产业在所有创意内容业务中拥有最大规模的数字盗版,这与非法音乐记录的非常方便的复制和分发有关。本文的主要目的是确定音乐作者如何评估数字空间中数字盗版管理的可能性。提供了对录制的数字音乐客户的调查以及对录制的数字音乐作者的采访,以实现这一目标。基于结果,分析了音乐唱片行业中的数字盗版管理的思想,该思想旨在最大程度地为音乐唱片的作者向消费者介绍音乐唱片,从而带来商业利益。

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