...
首页> 外文期刊>Procedia - Social and Behavioral Sciences >The Devil from Supermarket: Images of Postmodernity in T. Coraghessan Boyle's Collection After the Plague: Stories
【24h】

The Devil from Supermarket: Images of Postmodernity in T. Coraghessan Boyle's Collection After the Plague: Stories

机译:超市中的魔鬼:T。Coraghessan Boyle的瘟疫:故事之后的收藏集

获取原文
   

获取外文期刊封面封底 >>

       

摘要

This paper addresses images of the everyday reality in T.C. Boyle's collection After the Plague as symbols of postmodern era. I argue that references and allusions to numerous everyday objects provided in Boyle's stories become symbols of the reality. Although the author doesn’t directly depict the settings of his stories, he recounts objects that are distinctly denotative of a certain place (for example, in Friendly Skies Boyle describes the airplane through the images of paperback books, bagels and espresso cups, boarding passes etc.) or action (like the imagery of grocery shopping in the story After the Plague). These objects are often autonomous from each other and deprived of the direct references to their use. Through the plurality of these images Boyle defines the boundaries of his characters’ existence and creates a postmodern setting, where illusion of reality is often more real than reality itself. The author not only suggests fragmentation of cultural and social spaces, but also gives an example of postmodern reality as a construct of images.
机译:本文介绍了T.C.中日常现实的图像。博伊尔的收藏《瘟疫后》是后现代时代的象征。我认为,对博伊尔故事中提供的众多日常物品的引用和暗示成为现实的象征。尽管作者没有直接描述故事的背景,但他还是叙述了某个地方明显具有代表性的对象(例如,《友善的天空》中,博伊尔通过平装书,百吉饼和咖啡杯子,登机牌的图像描述了飞机等)或动作(例如《瘟疫之后》中杂货店购物的图像)。这些对象通常彼此独立,无法直接使用它们。博伊尔通过大量的这些图像定义了角色存在的边界,并创造了一种后现代的环境,现实中的幻觉通常比现实本身更为真实。作者不仅提出了文化和社会空间的碎片化的建议,而且还举了后现代现实作为图像建构的一个例子。

著录项

相似文献

  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号