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The Core Techniques of Morenian Psychodrama: A Systematic Review of Literature

机译:莫雷尼亚心理剧的核心技术:文学的系统评价

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The original theory of psychodrama proposed by Moreno in 1921 has been adjusted and re-interpreted by several authors over the last three decades. This resulted in the proliferation of techniques whose definitions and contexts of application are unclear and poorly documented in the literature. The purpose of this review was three-fold: (1) to identify the psychodramatic techniques currently used for research and clinical purposes, (2) to extract and create a list of core techniques which are consensually used by psychodramatists, and which reflect the main principles of the Morenian theory of psychodrama, and (3) to propose an operationalised definition of the core psychodramatic techniques identified. To achieve this, a systematic review was conducted, according to the PRISMA guidelines (Moher et al., 2009). The search was conducted between June and September of 2012 in the main electronic databases (e.g., PubMed, Embase, PsychINFO) and using the following keywords: “psychodrama,” “group psychotherapy,” “experiential psychotherapy,” “Moreno,” “intervention,” and “techniques.” Fifty-six techniques were extracted from the 21 papers selected for review. Of these, a preliminary list of 30 techniques was selected, which was reduced to a total of 11 core techniques: soliloquy, double, mirror, role reversal, resistance interpolation, sculpture, social atom, intermediate objects, games, sociometry, role training. The credibility of this final core list was first checked with an expert in Morenian psychodrama, and later discussed with a network of 22 European psychodramatists to ensure full consensus. Overall, this review provides a contemporary framework for psychodramatists that reconciles the current approaches to psychodrama with the core techniques proposed by Moreno, and updates the definitions of these techniques, by merging the interpretations of different experts in the field. To have a list of core techniques which is consensually accepted from an international point of view is paramount not only for future research, but also for training purposes. The implications of this review for clinical practice are also discussed.
机译:在过去的三十年中,莫雷诺(Moreno)在1921年提出的最初的心理剧理论已经过调整和重新解释。这导致了技术的扩散,其定义和应用环境不清楚,文献中也很少记录。这篇综述的目的是三方面的:(1)确定目前用于研究和临床目的的精神戏剧技术;(2)提取并创建一系列由精神科医生同意使用的,反映主要(3)提出确定的核心心理戏剧技术的可操作定义。为了实现这一目标,根据PRISMA指南进行了系统的审查(Moher等,2009)。搜索是在2012年6月至9月之间在主要的电子数据库(例如PubMed,Embase,PsychINFO)中进行的,并使用以下关键字:“ psychodrama”,“团体心理治疗”,“体验心理治疗”,“ Moreno”,“干预” ”和“技术”。从选择进行审查的21篇论文中提取了56种技术。在这些技术中,选择了30种技术的初步清单,但最终减少到总共11种核心技术:自言自语,双重,镜像,角色反转,抵抗插值,雕塑,社交原子,中间对象,游戏,社会计量学,角色训练。最终核心清单的可信性首先与莫雷尼亚精神剧专家进行了核对,然后与22位欧洲精神病医生网络进行了讨论,以确保达成完全共识。总体而言,本综述为精神病医生提供了一个当代的框架,该框架使当前的心理剧方法与莫雷诺提出的核心技术保持一致,并通过合并该领域不同专家的解释来更新这些技术的定义。列出国际公认的公认核心技术,不仅对于未来研究,而且对于培训目的都是至关重要的。还讨论了该评论对临床实践的意义。

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