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'ASHES FOR ASHES' And 'ENDGAME'

机译:“灰烬为灰烬”和“ ENDGAME”

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The researcher in this paper tackled the theme of violence and reality in both plays; Harold Pinter's Ashes for Ashes and Samuel Beckett's Endgame . The theme of Violence was clear in the Ashes for Ashes play where masculine qualities have metastasized into something horrifying that are first manifested between the female protagonist Rebecca and her former lover and later more symbolically between the "he" and the "she". Devlin, Rebecca's present partner, is being portrayed as the fact finder, who is full of curiosity and sense of reason. On the hand, The thematic territory, in Endgame is bleak. In a cement room, the limping Clov (Luke Mullins) performs daily rituals of opening windows, killing rats and tending to the blind, immobile Hamm (Colin Friels), who berates and controls him.
机译:本文的研究者在两个剧本中都探讨了暴力与现实的主题。哈罗德·品特(Harold Pinter)的《灰烬为灰烬》和塞缪尔·贝克特(Samuel Beckett)的《残局》。在《灰烬换灰》中,暴力的主题很明显,男性气质已经转移到令人恐惧的事物中,这种现象首先表现在女性主角丽贝卡和她的前情人之间,后来更象征性地出现在“他”和“她”之间。丽贝卡的现任合伙人德夫林被描绘成事实发现者,他充满好奇心和理性感。一方面,《残局》中的主题领域黯淡无光。在水泥房里,the行的克洛夫(卢克·穆林斯)每天举行开窗仪式,杀死老鼠并抚养盲目,不动的哈姆(Colin Friels),后者痛恨并控制了他。

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