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Contemporary perspectives in aesthetic theory: Steven Connor, Sianne Ngai and the edible world

机译:美学理论的当代观点:史蒂文·康纳,Sianne Ngai和可食用的世界

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This article interprets the work of cultural theorists Steven Connor and Sianne Ngai in terms of their efforts to reevaluate certain key presumptions of aesthetic theory that inherits the surprisingly resilient biases of the 18th century, in particular the work of Immanuel Kant and Edmund Burke. Focusing on the work of Ngai and Connor, I think through the implications this recent theory has for the previously peripheral position occupied by gustatory taste and the cultural objects and experiences it implicates. I discuss the possibility that ideas and examples drawn from the work of Connor and Ngai might form the basis for an alternative area of analysis that is better adapted to the peculiarities of gustatory taste and the culinary. In particular, I argue that the visceral element, which tends to accompany gustatory taste, ought to be interpreted in terms of its generative contribution to the creation of concepts through metaphor, rather than as a muddying influence that prevents clarity of discrimination. Similarly, the close relationship between the edible and the domestic is deserving of a more generous reading than is commonly found in aesthetic theory underwritten by the categories of the sublime and the beautiful.
机译:本文以重新评估美学理论的某些关键假设的努力来解释文化理论家史蒂芬·康纳和Sianne Ngai的工作,这些假设继承了18世纪令人惊讶的弹性偏见,特别是伊曼纽尔·康德和埃德蒙·伯克的作品。着眼于Ngai和Connor的工作,我认为,通过这种最新理论对味觉味觉所占据的外围位置以及其所暗示的文化对象和经历的影响,我认为。我讨论了从康纳(Connor)和阿盖(Ngai)的工作中汲取的想法和例子可能构成替代分析领域的基础的可能性,该替代分析领域更适合于味觉口味和烹饪特色。我特别认为,倾向于伴随味觉的内脏因素,应该以其通过隐喻对概念创建的产生性贡献来解释,而不是作为妨碍清晰辨别的模糊影响。同样,与在审美理论中普遍发现的崇高和美丽类别相比,食用与家庭之间的密切关系值得更慷慨的解读。

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