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The Multidimensional Spectrum of Imagination: Images, Dreams, Hallucinations, and Active, Imaginative Perception

机译:想象力的多维范围:图像,梦,幻觉以及积极的,想象力的感知

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A theory of the structure and cognitive function of the human imagination that attempts to do justice to traditional intuitions about its psychological centrality is developed, largely through a detailed critique of the theory propounded by Colin McGinn. Like McGinn, I eschew the highly deflationary views of imagination, common amongst analytical philosophers, that treat it either as a conceptually incoherent notion, or as psychologically trivial. However, McGinn fails to develop his alternative account satisfactorily because (following Reid, Wittgenstein and Sartre) he draws an excessively sharp, qualitative distinction between imagination and perception, and because of his flawed, empirically ungrounded conception of hallucination. His arguments in defense of these views are rebutted in detail, and the traditional, passive, Cartesian view of visual perception, upon which several of them implicitly rely, is criticized in the light of findings from recent cognitive science and neuroscience. It is also argued that the apparent intuitiveness of the passive view of visual perception is a result of mere historical contingency. An understanding of perception (informed by modern visual science) as an inherently active process enables us to unify our accounts of perception, mental imagery, dreaming, hallucination, creativity, and other aspects of imagination within a single coherent theoretical framework.
机译:试图通过对科林·麦金(Colin McGinn)提出的理论进行详细的批判,发展出一种人类想象力的结构和认知功能的理论,该理论试图对有关其心理中心性的传统直觉做出公正对待。像麦金恩一样,我回避了分析哲学家中普遍存在的通货紧缩的想象力观点,这些观点将其视为概念上不连贯的概念,或者在心理上是琐碎的。然而,麦金因未能令人满意地发展他的另类解释,是因为(继里德,维特根斯坦和萨特之后)他在想象力和知觉之间画出了过于尖锐的,定性的区分,并且由于他的幻觉概念存在缺陷,缺乏经验。他为捍卫这些观点而辩护的论点被详细反驳,其中一些隐含地依靠的传统的,被动的,直角的笛卡尔视觉观受到了最近认知科学和神经科学的发现的批评。也有人认为,视觉感知的被动观点的明显直观性是纯粹历史偶然性的结果。将知觉(由现代视觉科学告知)是一种固有的活跃过程,使我们能够在一个连贯的理论框架内统一我们对知觉,心理意象,梦想,幻觉,创造力和其他想象力方面的描述。

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