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Reading and Resisting Representations of Black Africans in Joseph Conrad’s Heart of Darkness

机译:约瑟夫·康拉德《黑暗之心》中黑人非洲人的阅读和抵抗表现

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This article adapts feminist critic Judith Fetterley’s articulation of resistant reading to the colonial context in order to perform a racially ethical reading of Joseph Conrad’s Heart of Darkness. Adapting a feminist practice of resistant reading to the colonial context is possible because of the ways in which the structures of patriarchal and colonialist discourses are homologous. This article approaches Conrad’s text as a piece of colonialist discourse by tracing the ways in the Congolese people are represented as wild, dark, animalistic, and incomplete. Employing this methodology is useful, indeed arguably essential, for reading Conrad’s representations of black Africans in his novella because doing so hinders the perpetuation of a debilitating, dehumanizing discourse “in which the very humanity of black people is called into question” (Achebe 346).
机译:本文根据女权主义者的评论家朱迪思·费特利(Judith Fetterley)的反抗性读音与殖民环境的关系,以对约瑟夫·康拉德(Joseph Conrad)的《黑暗之心》进行种族伦理解读。由于父权制和殖民主义话语的结构是同源的,因此有可能使女权主义的抵抗阅读实践适应殖民地背景。本文通过追踪刚果人在野外,黑暗,动物和不完整方面的表现方式,将康拉德的文本作为一种殖民主义话语加以处理。采用这种方法对于阅读康拉德在中篇小说中对黑人非洲人的表述是有用的,实际上可以说是必不可少的,因为这样做会阻碍令人衰弱的,非人性化的话语的延续,“在这种话语中,黑人的人性遭到质疑”(阿奇贝346) 。

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