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”Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis”

机译:“使用女权主义批评话语分析法检查女性编剧对女性主角的描写”

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This study explores the portrayals of female protagonists by female screenwriters through feminist critical discourse analysis. Specifically, this study examines the female protagonists in the four Academy-Award winning films Thelma & Louise, The Piano, Lost in Translation, and Juno. By analyzing the roles and behavior of the female protagonists in these four films, I reveal how these female protagonists each experience the Heroine’s Journey, where they transcend their gender constraints and become more independent and empowered. These portrayals by female screenwriters are vital to the off-screen sector of the film industry because of the Social Cognitive Theory of Gender Development and Differentiation, which states that human beings gain knowledge from the messages communicated to them by the media. Therefore, I conclude that the existing gap between female and male screenwriters must be closed to counter the reinforcement of gender roles and stereotypes, as well as ensure that women are inspired, not discouraged, by what they see on screen.
机译:这项研究通过女权主义批评话语分析探索了女性编剧对女性主角的描绘。具体来说,这项研究考察了获得奥斯卡奖的四部电影《塞尔玛与路易丝》,《钢琴》,《迷失在翻译》和朱诺中的女性主角。通过分析这四部电影中女性主角的角色和行为,我揭示了这些女性主角各自如何体验《女主人公的旅程》,她们在其中超越了性别限制,变得更加独立和充满力量。女性编剧的这些描绘对电影业的银幕外领域至关重要,这是因为性别发展与分化的社会认知理论指出,人类从媒体传达给他们的信息中获得了知识。因此,我得出结论,必须缩小男女编剧之间的现有差距,以应对性别角色和陈规定型观念的强化,并确保妇女从屏幕上看到的内容中得到启发而不是灰心。

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