From a a??Green and Medievala?? Image to a More a??Authentically Contemporarya?? Image

摘要

Two hundred years after Tommaso Minardi (pupil of Antonio Canova) was appointed director, the Accademia di Belle Arti a??Pietro Vannuccia?? of Perugia (Academy of Fine Arts), in synergy with the Universit?? degli Studi of Perugia, once again had a fundamental role in the creation process of the Umbria brand concept. A concept that once again was the result of a true cultural project, whereby, just as the image of a a??green and medievala?? Umbria was reinforced by the evocative charge of painting, the image of a more a??authentically contemporarya?? Umbria will be powered by the connotative charge of design.