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Bollywood: Entertainment as Opiate of the Masses

机译:宝莱坞:娱乐作为群众的阿片

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It is difficult for an outsider to gauge the impact movies have on the collective unconsciousness of the vast majority of Indians. While it is the cheapest form of entertainment available to the masses, Bollywood movies are also seen as potent unifiers of a multi-cultural, multi-lingual nation of 1.2 billion people. Recognizing this, in 2003 the government granted industry status to this world of art and Bollywood acquired a formal mandate as a service industry. For an emerging economy like India with 30% population below the poverty line, the role of Bollywood is much greater than providing senseless and casual entertainment. As the combination of all arts, a mantle of gravitas descends on Bollywood. This paper explores the reasons why as an art form and therefore a service provider, Bollywood has veered from its social responsibilities and what can be done by all concerned to make the Bollywood film makers more socially responsive.
机译:局外人很难衡量电影对绝大多数印度人集体无意识的影响。虽然宝莱坞电影是大众上最便宜的娱乐方式,但它也被视为一个由12亿人口组成的具有多种文化和多种语言的国家的强有力的统一者。意识到这一点,政府于2003年授予了这个艺术世界以行业地位,宝莱坞因此获得了正式的服务业授权。对于像印度这样的新兴经济体,其人口低于贫困线30%,宝莱坞的作用远不只是提供无意义的休闲娱乐。作为所有艺术的结合,格拉维塔的地幔降落在宝莱坞上。本文探讨了为什么宝莱坞作为一种艺术形式并因此成为服务提供者而偏离了其社会责任,以及所有相关方面可以做些什么来使宝莱坞电影制片人更具社会责任感。

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