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Graffiti on Bridges-Aesthetical Assessment

机译:桥梁涂鸦美学评估

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The article looks into the problem of graffiti on bridges. Graffiti can be seen as a form of artistic expression. There are quoted two historical examples of graffiti, one of the times of antiquity and the other from a more recent historical period, i.e. 1840s. There has been an attempt to define graffiti on the basis of a survey conducted among the Lublin graffiti circles. The resulting descriptive definition of graffiti indicates a stable, independent or even illegal action which seems to be impossible to be curbed. The graffiti was examined on some examples of Santiago Calatrava’s bridges. By means of a simple statistical method applied to the results of a survey conducted among student groups and by means of 1/0 estimation (positive-1egative-0 impression) of graffiti on bridges, some reliable results have been obtained. It was concluded that, optionally, some of bridge graffiti can be accepted and therefore can be kept as an enhancement of urban surroundings.
机译:本文探讨了桥梁上的涂鸦问题。涂鸦可以被视为一种艺术表现形式。引用了两个涂鸦的历史例子,一个是上古时代,另一个是最近的历史时期,即1840年代。试图根据卢布林涂鸦界进行的一项调查来定义涂鸦。由此产生的描述性涂鸦定义表明,似乎不可能制止这种稳定,独立甚至是非法的行为。在圣地亚哥·卡拉特拉瓦(Santiago Calatrava)的一些桥梁实例上研究了涂鸦。通过将简单的统计方法应用于学生群体之间的调查结果,并通过对桥上涂鸦的1/0估计(正1 /负0印象),已经获得了一些可靠的结果。结论是,可选地,一些桥梁涂鸦是可以接受的,因此可以作为城市环境的保留。

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