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Design Thinking: A Method or a Gateway into Design Cognition?

机译:设计思维:通向设计认知的方法还是门户?

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The main claim launched in Lindgaard and Wesselius’s paper1 is that design thinking should be (re)considered in light of current developments in cognitive science, particularly theories of metaphor and embodied cognition. As the title of their article suggests, they conclude that design thinking must relate to feelings more than has been the case up to now. Here I will distinguish between different construals of design thinking, and address the term from a design point of view—albeit one divorced from the methodological meaning it has acquired in recent years. I will also consider the role of comparisons as carriers of meaning in design ideation, and comment on the significance of analogy alongside metaphor, with an emphasis on good fit. These musings I also relate to embodiment and visual thinking, especially sketching.
机译:Lindgaard和Wesselius的论文1提出的主要主张是,应根据认知科学的最新发展,特别是隐喻和体现认知的理论,来(重新)考虑设计思维。正如他们的文章标题所暗示的那样,他们得出的结论是,设计思维与情感的关系要比迄今为止更多。在这里,我将区分设计思维的不同理解,并从设计的角度来解决这个术语,尽管它与近年来获得的方法论意义相去甚远。我还将考虑比较在设计构想中作为意义载体的作用,并在将比喻与隐喻相结合的意义上进行评论,并着重强调适合性。这些沉思也涉及到体现和视觉思维,尤其是素描。

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