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The ‘Dys-Appearing’ Body in Doris Lessing’s The Diary of a Good Neighbour and Margaret Forster’s Have the Men Had Enough?

机译:多丽丝·莱辛(Doris Lessing)的《好邻居的日记》和玛格丽特·福斯特(Margaret Forster)的男人中是否有足够的男人?

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If the old body is usually read as a synonym of fragility and upcoming illness, even though not the case for most elderly citizens, the reality is that the longer we live, the increased probability of being affected by different illnesses cannot be eluded or denied. In Doris Lessing’s The Diary of a Good Neighbour and Margaret Forster’s Have the Men Had Enough? the reader is invited to participate in the day-to-day routines of two aged female protagonists, as well as to empathize with their inner feelings as they go through their last life stage. In fact, their ‘dys-appearing’ bodies, marked by their respective terminal illnesses, force these characters to grow closer to those around them and to accept the help of their families and friends, despite their desire to keep their free will and independence until the very end. The analysis of the two novels within the framework of ageing studies aims to show the contradictions existing between a growing ageing society and the negative cultural connotations of old age in Western society and the need to revise them.
机译:如果通常将老年人理解为脆弱和即将到来的疾病的代名词,即使对于大多数老年人而言并非如此,那么现实是我们的寿命越长,受各种疾病影响的可能性就越大,这一点就无法避免或被否定。在多丽丝·莱辛(Doris Lessing)的《邻居的日记》和玛格丽特·福斯特(Margaret Forster)的《男人已经足够了吗?邀请读者参加两位老年女性主角的日常活动,并体谅他们在经历上一生阶段时的内心感受。事实上,以他们各自的绝症为特征的“出身异常”的身体迫使这些角色越来越靠近周围的人,并接受家人和朋友的帮助,尽管他们希望保持自由意志和独立直到最后。在衰老研究的框架内对这两部小说的分析旨在表明,一个日益老龄化的社会与西方社会对衰老的负面文化内涵之间的矛盾以及对其进行修改的必要性。

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