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Tool-assisted rhythmic drumming in palm cockatoos shares key elements of human instrumental music

机译:手掌美冠鹦鹉的工具辅助节奏鼓乐分享了人类乐器音乐的关键元素

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All human societies have music with a rhythmic “beat,” typically produced with percussive instruments such as drums. The set of capacities that allows humans to produce and perceive music appears to be deeply rooted in human biology, but an understanding of its evolutionary origins requires cross-taxa comparisons. We show that drumming by palm cockatoos (Probosciger aterrimus) shares the key rudiments of human instrumental music, including manufacture of a sound tool, performance in a consistent context, regular beat production, repeated components, and individual styles. Over 131 drumming sequences produced by 18 males, the beats occurred at nonrandom, regular intervals, yet individual males differed significantly in the shape parameters describing the distribution of their beat patterns, indicating individual drumming styles. Autocorrelation analyses of the longest drumming sequences further showed that they were highly regular and predictable like human music. These discoveries provide a rare comparative perspective on the evolution of rhythmicity and instrumental music in our own species, and show that a preference for a regular beat can have other origins before being co-opted into group-based music and dance.
机译:所有人类社会的音乐都带有节奏的“拍子”,通常是用打击乐器(例如鼓)制作的。允许人类产生和感知音乐的能力集似乎深深扎根于人类生物学,但是要了解其进化起源,则需要进行跨类群比较。我们证明,手掌凤头鹦鹉(Probosciger aterrimus)击鼓具有人类乐器音乐的关键基础,包括声音工具的制造,在一致的情况下的演奏,定期的节拍制作,重复的音色和个人风格。由18个雄性产生的131个击鼓序列中,节拍以非随机,规则的间隔发生,但是单个雄性的形状参数在描述其节拍模式分布的形状参数方面存在显着差异,表明了单个击鼓风格。最长的击鼓序列的自相关分析进一步表明,它们像人类音乐一样具有高度规律性和可预测性。这些发现为我们自己的节奏和器乐的发展提供了一种罕见的比较观点,并表明对常规节奏的偏爱可能会在被选入基于群体的音乐和舞蹈之前有其他起源。

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