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Individual Mobility and the Sense of a??Deadlocka??: A Cultural Materialist Analysis of Sylvia Platha??s The Bell Jar

机译:个人流动性与“僵局”感:西尔维亚·普拉斯作为“钟形罐”的文化唯物主义分析

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Individual mobility is an outcome of the rapid changes in life; it is revealed in particular literary works within the end of the 19th century. Mobility is clearer in modern time as the individual has become physically freer in his movement. But the individuala??s freedom is often conditioned by restrictions. Usually, change stimulates individuals to obtain new structure of feeling; the individual mocks or rages against institutions, or he would comply, suffering rapid personal deterioration as he faces effective stability or institutions. There is a continuous sense of a??deadlock.a?? Sylvia Platha??s novel reflects the depression of an intellectual young woman who fails to find her right path muddled by an inconsistent, confusing world around. The opposing ideas and standards imposed on women depress and alienate the protagonist from the world leading her to an eventual attempt at suicide. The variable values the character has to adjust, the protagonista??s reaction toward these values, and her sense of a??dead locka?? are the subject of the present article.
机译:个人流动是生活快速变化的结果;它在19世纪末期的文学作品中尤为明显。由于个人的身体运动越来越自由,所以现代人的流动性更加清晰。但是个人的自由常常受到限制的制约。通常,变化会刺激个人获得新的感觉结构;个人嘲笑或对机构发怒,否则他会遵从,因为他面对有效的稳定或机构而遭受迅速的个人恶化。持续有“死锁”的感觉。西尔维亚·普拉萨(Sylvia Platha)的小说反映出一个知识分子的年轻女子的沮丧感,她无法找到自己的正确道路,因为周围的世界混乱,混乱而混乱。强加于妇女的相反观念和标准使主角与世隔绝并使她疏远,最终导致她企图自杀。角色必须调整的可变值,主角对这些值的反应以及她对“死锁”的感觉。是本文的主题。

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