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An approach to power relations: Bessie Head and Luisa Valenzuela

机译:解决权力关系的方法:贝西·海德(Bessie Head)和路易莎·瓦伦苏埃拉(Luisa Valenzuela)

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As authors and women writing within a postcolonial paradigm. Head and Valenzuela posit power relations as a prominent feature in their respective novels, A Question of Power and Cola de Lagartija. These texts specifically expose the multi-layered scope of power relations and confirm the presence of such dynamics within the fabric of society and history. Different perspectives/voices represent the dynamics of social context as a series of power relations best interpreted by Bakhtin's perception of the dialogic principle operative in literature. In A Question of Power and The Lizard's Tail, the abuse of power is challenged and exposed by the different narrators in their capacity as protagonists, narrators and authors. In this way they assert their powers as subjects, individuals, women; they gain a voice, an identity, and can proceed to make history as well as make history (in both the historical and literary sense). By writing, or perhaps re-conceptualizing their past as individuals and writers. Head and Valenzuela have been enabled to forge their own future.
机译:作为作家和妇女在后殖民范式中写作。海德和瓦伦苏埃拉将权力关系作为各自小说《权力的问题》和《可乐·拉加蒂娅》中的一个突出特征。这些文本专门揭示了权力关系的多层次范围,并确认了这种动力在社会和历史结构中的存在。不同的观点/声音将社会情境的动态表现为一系列权力关系,而这种关系最好由巴赫金对文学中对话原理的理解来解释。在《权力的问题》和《蜥蜴的尾巴》中,权力的滥用受到不同叙事者作为主角,叙事者和作者的身份的挑战和揭露。通过这种方式,他们坚持自己作为主体,个人,妇女的权力;他们获得发言权,身份,可以继续创造历史,也可以创造历史(在历史和文学意义上)。通过写作,或者重新概念化他们作为个人和作家的过去。 Head和Valenzuela已被允许开拓自己的未来。

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