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Breyten Breytenbach se Boek : die taal (po?sie) as voelinstrument om bewussyn te verken

机译:Breyten Breytenbach的书:语言(诗歌)作为探索意识的一种感觉工具

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Breyten Breytenbach's Boek: language (poetry) as feelinginstrument to explore consciousness One of the big questions of science is the mystery of consciousness. How is it possible that a state of consciousness, an awareness of your own being and actions, can originate from matter, from the movement of neurons in nerve tissue? While neuroscience does not have answers to these questions (yet), the subjective exploration of consciousness by means of works of art, could make a valuable contribution. Breyten Breytenbach explicitly views his art (writing and painting) as ways to investigate consciousness. In “Boek” (1987) Breytenbach explains his views on art. In this complex work, he focusses, among other aspects, on the idea that the work of art, at a specific moment, produces an “other”, a meaning that has not hitherto existed somewhere, waiting to be discovered. This hitherto unknown meaning comes into existence in the moment of creation. The creative moment in which the hitherto unknown is wrestled from the known, cannot be produced by following a recipe. The unknown, the other, virtually invades the world of the artist, as if the work of art happens to the artist, instead of him creating it. This experience has a changing effect on the artist and in the process he learns more about his own consciousness. The changing effect is not restricted to the artist, as the reader of the poem shares this experience. Because the reader is also writer, according to Breytenbach, the work of art is recreated by the reader and the reader has the same experience of a virtual invasion of the “other” on his/her own life and in the process also discovers more about his/her own consciousness.
机译:Breyten Breytenbach的Boek:语言(诗歌)作为探索意识的情感工具。科学的一大问题是意识的奥秘。一种意识状态,一种对自己的存在和行为的意识,怎么可能起源于物质,即神经组织中神经元的运动?尽管神经科学还没有这些问题的答案,但通过艺术品对意识的主观探索可能会做出宝贵的贡献。 Breyten Breytenbach明确地将他的艺术(写作和绘画)视为研究意识的方式。布赖滕巴赫在《 Boek》(1987年)中解释了他对艺术的看法。在这件复杂的作品中,他集中了一个观点,即艺术品在特定时刻会产生“另一个”,这是迄今为止尚不存在的一种含义,等待被发现。这种迄今未知的含义在创建之时就已经存在。迄今未知的事物与已知事物搏斗的创造性时刻,无法通过遵循配方来产生。未知的事物实际上侵入了艺术家的世界,就好像艺术品发生在艺术家身上,而不是他创造出来一样。这种经历对艺术家产生了不断变化的影响,在此过程中,他进一步了解了自己的意识。变化的影响不仅限于艺术家,因为诗的读者也分享了这种经验。根据布雷顿巴赫的观点,由于读者也是作家,所以艺术品是由读者重新创作的,并且读者在自己的生活中也经历过“他人”的虚拟入侵的相同经历,并且在此过程中还发现了更多他/她自己的意识。

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