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Antonio: The other Jew in The Merchant of Venice

机译:安东尼奥:威尼斯商人中的另一个犹太人

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Antonio's melancholy and his excessive hatred of Shylock are two puzzling aspects of The Merchant of Venice, most critics agreeing that the cause of the first is never revealed. However, the two (melancholy and mutual detestation) are closely linked. Antonio's state of mind, his confusion, is brought on by his being (or, more accurately, having been) a Jew, too, who will always have to play the role of the born Christian. His original religious orientation is revealed throughout the play, showing him to be a converted Jew, or marrano (from the Spanish meaning “swine”), a type of person distrusted and abhorred by both “Old Christians” and Jews. Remarks throughout the play bear this out, and make it understandable why Shylock insists on Antonio's heart, this being understood in Shakespeare's day to be the centre of religious identity: he wishes to reclaim a Jewish soul.
机译:安东尼奥的忧郁和对夏洛克的过度憎恨是《威尼斯商人》的两个令人费解的方面,大多数评论家都同意,永远不会揭露第一个原因。但是,两者(忧郁和相互憎恨)紧密相连。安东尼奥的思想状态,他的困惑是由他自己(或更准确地说,曾经是一个犹太人)引起的,他总是必须扮演天生的基督徒的角色。在整个剧中,他最初的宗教倾向被揭示出来,表明他是一个converted依的犹太人或马拉诺人(西班牙语中的意思是“猪”),是一种被“老基督徒”和犹太人不信任和憎恶的人。整个剧中的言论都证明了这一点,这使得夏洛克为什么坚持安东尼奥的心脏是可以理解的,在莎士比亚时代,这被理解为宗教身份的中心:他希望夺回犹太人的灵魂。

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