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Afrikaanse vryheidsliedjies as herkonstruksie van Afrikaneridentiteit: 'n ideologies-kritiese perspektief

机译:南非荷兰语自由歌曲作为南非荷兰语身份的重构:意识形态批判的观点

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Afrikaans freedom songs as a reconstruction of Afrikaner identity Media polemics that centred on Afrikaner identity and language proliferated in Afrikaans newspapers of the early 2000s. It illustrates that although more than a decade has passed since democratisation, identity politics are still an important South African topic and renegotiation therefore continues. This article discusses the role of Afrikaans freedom songs as a reconstruction of white Afrikaner identity with the specific aim of establishing a point of departure for an ideology-critical theorising of the topic. In this regard, the interpretative tools of metaphor analysis and ideology critique of Johann Visagie (1996) are applied within the broader framework of the so-called Critical Theory. The five dominant postapartheid narratives recorded by Melissa Steyn (2001) serve as starting point for this study. The selection of freedom songs is related to specific constructions of “whiteness” portrayed in the mentioned narratives.
机译:南非荷兰语自由歌曲是对南非荷兰语身份的重新构建。以20世纪20年代初的南非荷兰语报纸为中心,围绕南非荷兰语身份和语言的媒体争论。它说明,尽管民主化已经过去了十多年,但身份政治仍然是南非重要的话题,因此重新谈判仍在继续。本文讨论南非荷兰语自由歌曲作为白人南非荷兰语身份重建的作用,其具体目的是为该主题的意识形态批判理论建立出发点。在这方面,约翰·维萨基(Johann Visagie,1996)的隐喻分析和意识形态批判的解释工具被应用在所谓的批判理论的更广泛的框架内。梅利莎·史坦(Melissa Steyn(2001))记录的五个主要的种族隔离后叙述作为本研究的起点。自由歌曲的选择与上述叙述中描绘的“白色”的特定构造有关。

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