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The Aesthetics of Information: A Bit of Beauty

机译:信息美学:一点美

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摘要

On the basis of the cyclical time model of consciousness, the aesthetics of arts and music is discussed in terms of the smallest unit of information, the bit. Previously, the chronological advancement of music was discussed in terms of an increase in randomness, which then led to a higher order. The musical beauty of a bit is considered in light of randomness and order being interconnected through a cyclical looping process, as seen in consciousness. On the other hand, the progress of the arts can be studied in terms of the interplay between physical and the mental aspects. It is argued that the artistry of a single bit may be associated with an attachment between the reality of the bit and the semantic meaning, or the conscious awareness of choice. The relevance of the proposed model of beauty in music and the arts to Heidegger’s argument on existence and Wittgenstein’s analysis of language is also discussed.
机译:在意识的周期性时间模型的基础上,从信息的最小单位即比特开始讨论艺术和音乐的美学。以前,根据随机性的增加来讨论音乐在时间上的进步,然后导致更高的阶次。从意识中可以看出,音乐的美是根据随机性和顺序通过循环循环过程相互联系来考虑的。另一方面,可以从身体和心理方面的相互作用来研究艺术的进步。有人认为,单个位的艺术性可能与该位的现实和语义,或选择的自觉意识之间的依附联系在一起。还讨论了拟议中的音乐和艺术之美模型与海德格尔关于存在的论点以及维特根斯坦对语言的分析的相关性。

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