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Miniatures of the nation: ethnic minority figurines, mannequins and dioramas in Chinese museums

机译:国家缩影:中国博物馆中的少数民族雕像,人体模型和西洋镜

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This paper uses Chinese ethnic minority museums as case study to reflect on the significance of the use of figurines, mannequins and dioramas as modes of representation of individuals and collectivities in museums. By proposing the concept of miniature and exploring its diverse facets and conceptual implications in the context of specific examples of museum displays of Chinese ethnic minorities, the analysis reveals how specific museological practices and display supports – such as mannequins, dioramas, figurines and maps – enable the reduction and containment of cultural difference. Through a critical engagement with China’s nationalistic narratives on equal and harmonious inter-ethnic relations unfolded in museum displays by means of such representational devices, the analysis takes issue with museums’ authority, notably with reference to their capacity to objectify identities, and to craft and disseminate oversimplified images of collectivities that are ultimately validated as ‘real’ in the context of State-vouched narratives.
机译:本文以中国少数民族博物馆为案例研究,以反思使用小雕像,人体模型和西洋镜作为博物馆中个人和集体的代表方式的重要性。通过提出微型的概念,并在中国少数民族博物馆陈列的特定实例的背景下探索其多样化的方面和概念含义,该分析揭示了特定的博物馆实践和陈列支持(例如人体模型,西洋镜,小雕像和地图)如何实现减少和遏制文化差异。通过这样的代表性手段,与中国民族主义关于平等和睦的民族间关系的叙事进行批判性接触,这种展示手段使这种分析受到了博物馆权威的质疑,尤其是考虑到它们使身份客观化,制造和制造艺术品的能力。散布过分简化的集体形象,最终在国家担保的叙述中被确认为“真实”。

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