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Epidemiology of athletic injuries in classic ballet practitioners

机译:经典芭蕾舞练习者运动损伤的流行病学

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Specific overloads of ballet practice may represent risk factors for injuries. The objective of this study was to analyze the epidemiology of typical injuries of ballet, including factors associated with history of injury in ballet practitioners. Studied subjects integrated 124 dancers, of both genders, from nine ballet schools from Campo Grande, Mato Grosso do Sul State, Brazil. To obtain information about injuries, we used a morbidity survey. Participants were divided into two groups: G1 (with injuries) and G2 (without injuries). In relation to prevalence of injuries, 89 cases were registered, and 61 dancers (49%) reported damages incidence, with record of 1.48 cases per practitioner. Moreover, the G2 presented higher body weight (G1: 51±8 versus G2: 55±10 kg) and training time (G1: 4.0±2.0 versus G2: 5.0±4.1 years). With respect to injury type, joints (32%) and muscle affections (25%) were the main occurrences in the lower limbs (85%) due to specific exercises (30%). Weekly exposure time was the most important mechanism to injury installation. The more important causal circumstance to injury occurrence was constituted by specific training (49%) and choreographic performance (41%). In conclusion, evidences have showed that joint injuries in lower limbs are the main classical ballet injuries in ballet practitioners, and weekly exposure time is the most important factor associated with injuries in classical ballet.
机译:特定的超重芭蕾舞练习可能代表受伤的危险因素。这项研究的目的是分析典型的芭蕾舞伤害的流行病学,包括与芭蕾舞从业者受伤史相关的因素。研究对象融合了来自巴西南马托格罗索州坎普格兰德市9所芭蕾舞学校的124名男女舞蹈演员。为了获得有关伤害的信息,我们使用了发病率调查。参与者分为两组:G1(受伤)和G2(没有受伤)。关于伤害的发生率,登记了89例,有61名舞者(49%)报告了伤害发生率,每位从业人员记录了1.48例。此外,G2的体重更高(G1:51±8 vs G2:55±10 kg)和训练时间(G1:4.0±2.0 vs G2:5.0±4.1岁)。就伤害类型而言,由于特定的锻炼(30%),下肢(85%)主要发生关节(32%)和肌肉病变(25%)。每周接触时间是造成伤害的最重要机制。造成伤害的最重要原因是由专门的训练(49%)和舞蹈表演(41%)构成。总之,有证据表明,下肢关节损伤是芭蕾练习者的主要古典芭蕾伤害,每周接触时间是与古典芭蕾伤害相关的最重要因素。

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