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Rethinking receptivity in a postcolonial context: recasting Sembène's Moolaade

机译:在后殖民时代重新思考接受性:重铸Sembène的Moolaade

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The main challenge confronting African postcolonial societies is the failure of political, social, and cultural transformation to confront and transcend the limitations imposed by historical and contemporary contingencies. Hence the task of postcolonial theorists is to develop conceptual resources for a more sustained evaluation and analysis of the challenge. In this article, I recast Sembène's film, Moolaade , in a new relief to foreground the core issue of the postcolonial condition. I proceed to reappropriate Kompridis's concepts of ‘reflective disclosure’ and ‘receptivity’, which he develops from Heidegger's ‘world disclosure’, to devise what I term ‘postcolonial receptivity’. I then argue that postcolonial receptivity is an important concept that lends more intelligibility and coherence to the African quest to transform social and political forms of life.
机译:非洲后殖民社会面临的主要挑战是政治,社会和文化转型无法克服和超越历史和当代突发事件所施加的限制。因此,后殖民理论家的任务是开发概念资源,以便对挑战进行更持续的评估和分析。在本文中,我重新制作了Sembène的电影 Moolaade,以凸显后殖民状况的核心问题。我继续重新采用科姆普里迪斯从海德格尔的“世界公开”发展而来的“反思性披露”和“接受性”的概念,以设计我所谓的“后殖民接受性”。然后,我认为,后殖民的接受性是一个重要概念,它使非洲对改变社会和政治生活形式的追求更具可理解性和连贯性。

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