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Syair Gulong Ketapang West Kalimantan With The National Resistance Approach

机译:Syair Gulong Ketapang加里曼丹西部与民族抵抗运动

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The cultural research of Gulong Poetry in Ketapang, West Kalimantan has two objectives: 1) To know the development of Gulong Poetry as Malay literary art in the Kingdom of Tanjungpura in 1970-1990, 2) To find out the dynamics of Gulong Poetry art towards the West Kalimantan Malay community with the National Resilience approach. This study uses a historical method that begins with the heuristic stage, namely the collection of data from contemporary historical sources found at the National Archives of the Republic of Indonesia, National Library, Historical and Traditional Valuation Centers of Pontianak. And the next stage is to criticize the existence of culture with the National Resilience approach. The results of the study show that the Gulong Poem is an oral literary art that has been passed down from generation to generation since the time of the Kingdom of Tanjungpura to the contemporary era. This art had experienced stagnation during the Dutch colonial period and Japanese Occupation, then reappeared in the 70s to 90s and 2000s. In a social perspective, Gulong Poetry was released from the limitations which previously developed only in the royal environment into arts which lived in the middle of the people, becoming a medium for West Kalimantan Malay people to express their aspirations, inspiration, criticism, and entertainment. In the viewpoint of art, Gulong Poetry undergoes a change from the previous literary book and is preserved through the tradition of transferring books from hand to hand and narrated by word of mouth, into the art of oral literature whose text is written and the poem is read and sung in front of the public. Entering the era of globalization, the culture of the Gulong Poetry is feared unable to survive with the global flow of modern art, which is now very often heard by the public. Gulong poetry can only be heard by the public at certain events such as the sacred community of Malay people who are aware of culture such as marriage and circumcision.
机译:西加里曼丹省吉蓬市古龙诗的文化研究有两个目标:1)了解古龙诗在1970-1990年丹戎古拉王国作为马来文学艺术的发展,2)探寻古龙诗艺术走向的动力。西加里曼丹马来人社区采用“国家抗灾力”方法。本研究使用一种从启发式阶段开始的历史方法,即从印度尼西亚共和国国家档案馆,国家图书馆,坤甸历史和传统估价中心的当代历史资源中收集数据。下一步是用“国家复原力”方法来批评文化的存在。研究结果表明,古龙诗是一种口头文学艺术,自丹绒普拉王国时代到现代时代已代代相传。这种艺术在荷兰殖民时期和日本占领时期经历了停滞,然后在70年代至90年代和2000年代再次出现。从社会的角度来看,古龙诗从以前的局限性中释放出来,而局限性是以前仅在皇家环境中发展成生活在人民中间的艺术,成为西加里曼丹马来人表达自己的志向,灵感,批评和娱乐的媒介。从艺术的角度来看,古龙诗是从前一本文学著作中发生的变化,并通过传承手传书,口口相传的传统而得以保存,成为口头文学的艺术。在公众面前阅读和演唱。进入全球化时代,人们担心古龙诗的文化无法随着全球现代艺术的流传而生存下来,而现代艺术如今已为公众所广泛听到。古龙诗只能在某些活动中听到,例如在知道婚姻和割礼等文化的马来人神圣社区等特定事件中。

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