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The association between body-built and injury occurrence in pre-professional ballet dancers – Separated analysis for the injured body-locations

机译:专业芭蕾舞演员的健美与受伤发生之间的关联–受伤部位的分离分析

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Objectives: This study has aimed at identifying prevalence of injury-occurrence in 24 pre-professional-ballet-dancers (females, 16–18 years of age), and identifying the associations between the body-built and prevalence of injuries. Material and Methods: The sample of variables included: body mass, body height, and 3 somatotype characteristics (mesomorph, ectomorph and endomorph) and data on injuries over the preceding year. Results: Dancers were mostly ectomorphic-mesomorph (endomorphy: 2.6±0.54, mesomorphy: 3.99±0.77, ectomorphy: 3.23±0.54). The most commonly injured locations were the foot (17% of all injuries) and ankle (17%). Majority of the injuries occurred while practising but 37% of hip-injuries occurred while performing. Ankle-injuries resulted in longest absence from ballet. Endomorphy was related to ankle-injury (odds ratio (OR) = 1.9, 95% confidence interval (CI): 1.4–2.3), ectomorphy to foot injury (OR = 1.7, 95% CI: 1.1–2.9), and body-mass to injury to the toes (OR = 1.7, 95% CI: 1.4–3.1). Conclusions: The results of this study allow for recognizing those dancers who are particularly vulnerable to injuries of certain body location. A more profound analysis of the possible mechanisms that lead to hip-injury during performance is needed. Int J Occup Med Environ Health 2017;30(1):151–159
机译:目的:本研究旨在确定24名职业芭蕾舞蹈演员(16岁至18岁的女性)中受伤发生的发生率,并确定健美与受伤发生率之间的关联。材料和方法:变量样本包括:体重,身高和3种体型特征(中型,外型和内型)以及上一年的伤害数据。结果:舞者大多是同形的同形(内形:2.6±0.54,同形:3.99±0.77,同形:3.23±0.54)。最常见的受伤部位是脚(占所有伤害的17%)和脚踝(占17%)。大多数伤害发生在练习时,但37%的髋部受伤发生在练习时。脚踝受伤导致芭蕾最长不在场。内变形与脚踝受伤有关(比值比(OR)= 1.9,95%置信区间(CI):1.4-2.3),足部外伤(OR = 1.7,95%CI:1.1-2.9),以及身体-到脚趾受伤的质量(OR = 1.7,95%CI:1.4–3.1)。结论:这项研究的结果可以识别出那些特别容易受到某些身体部位伤害的舞者。需要对导致表演过程中髋部受伤的可能机制进行更深入的分析。 2017年国际占领医学与环境健康杂志》; 30(1):151–159

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