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Arte rupestre, tiempo y espacio en La Damiana (Quebrada de Incahuasi, Salta, Argentina)

机译:La Damiana(阿根廷萨尔塔省Quebrada de Incahuasi)的岩石艺术,时空

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In this paper, we present the results of a spatial analysis of rock art from La Damiana (Quebrada de Incahuasi, Salta). We studied 163 engraved blocks, part of the Section 1 of the site, in order to define changes and continuities in the pastoralist landscapes from the Formative (700 B.C. – A.D. 1000) to the Late period (A.D. 1000 – 1430). We were interested in defining how later representations were spatially organized in relation to preexisting ones, and how the earlier engravings participated in the spatial arrangements of later pastoralist landscapes. The methodological approach supported? by the use of GIS tools, sought to define the rock art’s spatial structure during each period and at different scales: a “block” scale that considered distributional and visual aspects for each chronological subset, and an “intra-block” scale that focused on reused surfaces, representations, and their spatial relationships. We observed a recurrence in the occupation of spaces and in the form in which they had been modified through rock art, with greater intensity during the Late period. Moreover, we suggest that at this moment new themes and modes of representation arose, even while some preexisting ones were still in use.
机译:在本文中,我们介绍了La Damiana(萨尔塔省Quebrada de Incahuasi)的岩石艺术的空间分析结果。我们研究了该遗址第1部分的163个雕刻街区,以定义从形成期(公元前700年至公元1000年)到后期(公元1000年至1430年)的牧民景观的变化和连续性。我们感兴趣的是定义相对于既有的后代在空间上的组织方式,以及早期的版画如何参与后来的牧民景观的空间安排。支持的方法论方法是什么?通过使用GIS工具,试图在每个时期以不同的比例来定义岩石艺术的空间结构:“分块”比例考虑了每个时间顺序子集的分布和视觉方面,而“分块内部”比例则关注于重用的表面,表示及其空间关系。我们观察到空间的重新出现以及通过岩石艺术对其进行了修改的形式,在后期出现了更大的强度。此外,我们建议,即使一些已有的主题和表示形式仍在使用中,目前仍出现了新的主题和表示形式。

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