Formes et éthiques de la réification dans la???nouvelle?tableau???au Yémen

摘要

Two "picture-short stories" of Mu/hammad `Uthman express the confusion of a consciousness faced to reified beings. They illustrate the actual existence in Yemen of an innovative approach in the representation of the relashionship between the Self, the world and the writing within the narrative framework of the short story. While the first story reveals a type of impressionistic painting playing on the declination of successive images, the second is based on the figure of repetition and the genius of the composition. Paradoxically, as they maximize the spatial and temporal dimension specific to the reification, both highlight the theme of frustration and of the violent conflict between the desires.