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Study of mural paintings by Fulvio Pennacchi in S?o Paulo City by mineralogical techniques

机译:用矿物学方法研究圣保罗市富尔维奥·彭纳奇的壁画

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The present research deals with two mural paintings made in 1947 with the fresco technique by Fulvio Pennacchi in the Catholic Chapel of the Hospital das Clínicas (S?o Paulo City, Brazil), namely the Virgin Annunciation and the Supper at Emmaus. This study regards the materials and painting techniques used by the artist, based on historical research,on in situ observations and laboratory analytical techniques (stereomicroscopy,scanning electron microscopy with an energy dispersive spectrometer, X-ray diffractometry, electron microprobe, images obtained with UV-light), aiming to improve the methods of characterization of objects of our cultural heritage, and to enhance its preservation accordingly. The results lead to the identification of the plaster components and of distinct layers in the frescoes, besides further information on grain size, impurities and textures, composition of pigments, and features of deterioration, such as efflorescences. The degree of degradation of the murals painting was assessed by this way. Our data suggest that a single layer of plaster was used by Pennacchi, as a common mortar with fine- and medium-grained aggregates. Differences in texture were obtained by adding gypsum to the plaster.
机译:本研究涉及两幅壁画,分别是1947年Fulvio Pennacchi使用壁画技术在dasClínicas医院(巴西圣保罗市)的天主教教堂中制作的壁画,即圣母报喜和Emmaus的晚餐。这项研究基于历史研究,原位观察和实验室分析技术(立体显微镜,使用能谱仪的扫描电子显微镜,X射线衍射仪,电子显微探针,通过紫外线获得的图像),基于艺术家使用的材料和绘画技术-light),旨在改善表征我们文化遗产的对象的方法,并相应地增强其保存。除关于粒度,杂质和质地,颜料成分以及变质特征(例如风化)的更多信息外,结果还可以鉴定出壁画中的灰泥成分和不同的层。通过这种方式评估了壁画的退化程度。我们的数据表明Pennacchi使用了单层灰泥,将其用作具有细粒和中粒骨料的普通砂浆。通过在石膏上添加石膏获得质地差异。

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