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Principles of the French Garden in the Czech Garden Design

机译:捷克园林设计中法国园林的原则

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The French garden of the 17th and 18th century as the ultimate artistic expression of ideas about the world order and the representation of power and knowledge was not limited to its country of origin – its influence spread and appeared all over Europe. The following text focuses on its reflection in the territory of the Czech Republic and follows the ways the main principles of this form of garden design took. Besides the traditionally dominant artistic influence of Italy, the French art was reflected only gradually, and above all, indirectly. Activities of Le N?tre’s disciples have been proven, but without any more detailed documentation. Moravia was most influenced by Vienna, where the imperial and other aristocratic gardens adopted more ornate, smaller and flatter concept of French forms, rather approaching Rococo. The paper shows, using specific examples and the comparative method, what forms typical of the French garden appear in the gardens of the Czech lands the most frequently. The characteristic organization of the garden and wider spaces by axes, avenues, radial divisions, water mirrors and canals as well as magnificent water elements with sculptures and also widely applied flat parterres with ornamental flower beds is explored. On the other hand, the complexity of the French prototype, which lies in the spatial monumentality and sophisticated use of optical rules and rules of perspective, is missing.
机译:17世纪和18世纪的法国花园,作为有关世界秩序以及权力和知识的代表思想的最终艺术表达,不仅限于其原籍国,而且其影响力遍及欧洲。以下文字重点介绍了它在捷克共和国境内的反思,并遵循了这种花园设计形式的主要原理所采用的方式。除了意大利传统上占主导地位的艺术影响力之外,法国艺术只是逐渐地,尤其是间接地反映出来。 Le N?tre的门徒的活动已得到证明,但没有任何更详细的文档。摩拉维亚受到维也纳的影响最大,那里的皇家花园和其他贵族花园采用了更华丽,更小,更扁平的法国形式的概念,而不是洛可可式的。本文通过具体示例和比较方法,显示出捷克花园中最常出现的法国花园典型形式。探索了花园的特色组织和更广阔的空间,包括轴,大道,径向分隔,水镜和运河以及带有雕塑的宏伟水元素,以及带有装饰花坛的广泛使用的平面花坛。另一方面,缺少了法国原型的复杂性,其在于空间上的纪念性以及光学规则和视角规则的复杂使用。

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