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Inmersión, redes sociales y narrativa transmedia: la modalidad de recepción inclusiva

机译:沉浸感,社交网络和跨媒体叙事:包容性的接待方式

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In the present text, I propose to initiate a discussion which will more directly interrogate the incorporation of social media into transmedia narratives through the creation of “official” accounts for fictional characters. My goal is to demonstrate through a case study of the transmedia story Marble Hornets (produced from June 2009 to June 2014) how the presence of fictional characters on social media creates new relations between their fictional world and the reality of the interactor – relations, moreover, which are accentuated by the use of mobile technologies. I will also discuss how these new relations force a reassessment of the concepts “immersion” and “the magic circle,” which were developed to better grasp the relations between fiction and reality created by more traditional media such as the novel, the graphic novel, television, cinema and video games.
机译:在本文中,我提议发起一个讨论,该讨论将通过创建虚构人物的“官方”账户来更直接地询问将社交媒体纳入跨媒体叙事的过程。我的目标是通过对跨媒体故事《大理石大黄蜂》(从2009年6月至2014年6月制作)进行案例研究,来证明社交媒体上虚构人物的存在如何在其虚构世界和互动者的现实之间建立新的关系-关系,此外,这是通过使用移动技术来强调的。我还将讨论这些新关系如何迫使人们重新评估“沉浸式”和“魔术圈”的概念,这些概念的产生是为了更好地把握小说,图像小说,电视,电影和视频游戏。

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